Neumann TLM 107 Studio Kit, mikrofoni varusteineen, nikkeli

Neumann TLM 107 Studio Kit (1789,00)
- Isokalvoinen Neumann TLM 107 kondensaattorimikrofoni varusteineen
- Sisältää TLM 107 mikrofonin (väri nikkeli) ja Neumannin joustoripustimen (väri nikkeli).

Huom! Myyntipakkaus ei sisällä mikrofonikaapelia!

Multi-faceted versatility, no-compromise sound and innovative operation:
With five directional characteristics and a novel operating concept,
this standard-setting large-diaphragm microphone provides sound without
any coloration.

Featuring equally impressive level handling and low
self-noise, it captures everything from the softest whisper to thundering
drums.

For studio, broadcasting and demanding home recording applications.

Classic proportions combined with attractive styling and fresh ideas – the
TLM 107 perfectly embodies the Neumann philosophy: Innovation based
on tradition. Far from evoking vintage or retro nostalgia, the standardsetting
TLM 107 represents an impressive, modern studio microphone. Its
extensive performance spectrum and high-precision reproduction, very
close to the original, make the TLM 107 universally applicable, opening up
the widest freedom in mixing and post-production.

Neumann Engineering:

The newly developed sound transducer, which was designed especially for
this microphone, is impressive with its outstanding impulse fi delity. The great
consistency of the fi ve polar patterns, omnidirectional, cardioid and fi gure-8,
with the intermediate patterns wide-angle cardioid and hypercardioid, is also
unusual for a large-diaphragm capsule.

The TLM 107 provides optimal sound not only for the cardioid setting; it also ensures maximum precision over the
entire frequency range for all of the other directional characteristics. The sound
always remains balanced, with an almost linear reproduction up to 8 kHz, and a
slight boost in the highest frequencies that lends presence and freshness to the
voice. Here particular attention has been paid to the natural reproduction of speech
sounds, especially the critical “s” sound. The grille is acoustically optimized for low
sensitivity to pop sounds. In addition, the sound transducer is edge-terminated,
with both diaphragms at ground voltage. Specifi cally, this ensures considerably
reduced sensitivity to dust and humidity.

No-Compromise Sound Design:

Transformerless circuitry permits a high degree of linearity
and a large dynamic range. The self-noise of only
10 dB-A is practically inaudible, while at the same time,
the TLM 107 features high level handling. The maximum
sound pressure level of 141 dB SPL can be increased to
153 dB SPL via pre-attenuation (Pad). This enables the TLM
107 to transmit the sound of even the loudest instruments
without distortion.

The Low Cut settings of Linear, 40 Hz, and
100 Hz are precisely adapted to practical recording situations.
Without side eff ects, the 40 Hz setting cuts interference noise
below the range of fundamental tones (where 41 Hz is the frequency
of the double bass open E string), while the 100 Hz setting
is optimized for speech and vocals (where 100 Hz corresponds to
the lowest notes of a baritone).

Innovative Operating Concept:

For the first time, all of the microphone switch functions are controlled
intuitively via a navigation switch. A visual highlight is the illuminated
pattern display in the stainless steel ring, while the Pad and Low Cut status
is displayed by LEDs to the left and right of the switch. In order not to distract
singers, the switch and display are located on the back of the microphone. After
15 seconds, the displays are turned off automatically.

Features:

• Multipattern large diaphragm microphone with
5 polar patterns (omni, wide cardioid, cardioid,
hypercardioid, fi gure-eight)

• Navigation switch with LED illuminated display
for polar pattern, PAD and low cut

• Sound characteristics: transparent, natural
reproduction of human voice, outstanding
transient response

• Balanced sound in all 5 polar pattern settings


Application Hints:

• Vocals and speech with optimized handling of
sibilance

• Main microphone in orchestra recordings or spot
microphone particularly suggested for string, woodwind
and brass instruments

• Recording of extreme SPLs (drum and percussion,
guitar amp etc.)

• Broadcast (radio drama, ADR), fi lm & game sound
production, professional recording studios, home
recording