Blue Velvet

For many, Blue Velvet is David Lynch's masterpiece. It represents a unique act of cinema: an 80s Hollywood studio film as radical, visionary and cabalistic as anything found in the avant-garde; a mysteriously symbolic and subterranean 'cult' movie that nevertheless has recognisable stars and was broadly distributed; a genre piece with the ambience of a fearsome, hyper-composed nightmare; an American 'art film' by Hollywood's only reputable 'art film' director. Michael Atkinson’s intricate and layered reading of the film shows how crystallises many of Lynch’s chief preoccupations: the evil and violence underlying the surface of suburbia, the seedy by-ways of sexuality, the frightening appearance of the adult world to a child's eyes, presenting it as the definitive expression of the traumatized innocence which characterizes Lynch's work. In his afterword to this new edition, Atkinson situates Blue Velvet within a culture that has changed drastically in the 35 years since its release,